Lot 8

Polychrome and Gilt Decorated Carved Wood Figure of Samantabhadra, China, Ming Dynasty

Estimate: $1,000 - $2,000

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Page navigation Lot 8 Polychrome and Gilt Decorated Carved Wood Figure of Samantabhadra, China, Ming Dynasty

Lot 8
Polychrome and Gilt Decorated Carved Wood Figure of Samantabhadra, China, Ming Dynasty
Description

An extensively carved wood sculptural figure stylized after the aesthetic canon of the mid-Ming Dynasty depicting the Bodhisattva Samantabhadra seated atop a caparisoned elephant, showcasing a deeply grooved underside defined by historic hand-struck adze and curved chisel tool marks, structural grain checking lines, and natural core amber-brown oxidation alongside heavily layered reverse surface passages displaying centuries of atmospheric temple soot build-up over degraded red, yellow, and blue-green mineral pigments and weathered gesso primer

Details

Wood, Gesso, Mineral Pigments, Gold Leaf

35 1/2 x 21 x 9 1/2 inches

Provenance

The Estate of Janice and Donald Rosenthal

Condition

Fair Condition; extensive localized flaking and structural loss to the gesso substrate along the lower back and harness bands, prominent vertical contraction and slow dry-shrinkage splits traversing the raw wood grain of the underside base and the reverse torso of the deity, and deep, uncleaned surface encrustation from historic incense smoke accumulation; evidence of previous structural intervention and older repair work is present on both the elephant's tail and the deity's scepter accessory. Distinction must be maintained between the historically stable, multi-layered temple patina—comprising ancient charcoal, incense soot residues, and oxidized lacquer binders—and superficial modern storage dust; the severe wood checking on the underside base is structurally stable and consistent with natural moisture loss over centuries rather than active mechanical stress, while the active flaking on the reverse gesso layer warrants immediate climate stabilization and localized consolidation to prevent further loss of the pigment field during transport or display The specific mid-Ming Dynasty attribution is designated based entirely upon stylistic visual analysis of the dress, iconography, and characteristic hand-adze base markings; no physical or material laboratory testing—such as radiocarbon dating (Carbon-14), dendrochronology timber analysis, or chemical pigment testing—has been conducted on the core wood substrate or surface paint layers to scientifically verify this production window


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Contact Information
Becky Sue Expert Specialist Photo +1 (234) 567-890

Other works from September Great Estates + September 29, 2026 (sale completed)