Estimate: $200 - $400
Price Realized: $160 Includes buyer's premium
oil on board
23 3/4 x 18 inches
signed verso
From the Estate of Clara Klinghoffer
losses to paint at edges of board, scattered scratches and scuffs, would benefit from a cleaning
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Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
unframed
Clara Klinghoffer’s legacy is one of baffling natural talent: at only 19 years old, she held her first solo exhibition of 60 works in London. Critics immediately drew comparisons to Old Masters such as Rembrandt and Hals, dubbing Klinghoffer “the girl who could draw like Raphael.” Although she worked across mediums, the artist is most well known as an exquisite draughtsman, particularly excellent at rendering portraits. In 1981, Terrence Mullaly of The Daily Telegraph described “her obvious sensitivity towards her sisters… enforced by her ability not only to suggest weight and substance of a body, but also to convey mood.”
Klinghoffer was born in Poland in 1900 and grew up in London’s East End. In 1929, she moved to Holland with her husband and child, where they stayed for ten years before returning to London to escape Nazi occupation. The artist left many of her works behind in Holland, where they were eventually stolen. Today, her remaining works can be found in prominent museum collections such as those of the Tate Gallery and the National Portrait Gallery, both located in London.
