Estimate: $200 - $300
| The Next Bid Increment | $100 |
|---|---|
| with 28% Buyer's Premium | $128 |
| Your Selected Maximum Bid | $100 |
| with 28% Buyer's Premium | $128 |
| The Current Bid (You're leading) | $100 |
|---|---|
| with 28% Buyer's Premium | $128 |
| Your Maximum Bid | |
| with 28% Buyer's Premium |
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oil on canvas
48 x 62 inches
signed verso
From the Estate of Janet Cooling
overall good condition, with some minor scratches and losses
If you are interested in bidding, please contact us to request more photos, or make an appointment for in-person inspection. To ensure prompt assistance, we recommend reaching out at least 24 hours before the auction by calling 212-353-2277 or emailing us at admin@capsuleauctions.com.
Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
unframed
Janet Cooling was a pioneering figurative painter known for integrating lesbian and feminist themes into her work during the 1970s and '80s. She received her B.F.A. from Pratt Institute in 1973 and an M.F.A. from the School of the Art Institute of Chicago in 1975. Cooling began her career at Artemisia Gallery in Chicago, immersing herself in feminist and lesbian art circles. As one of the first openly lesbian artists in the American art world, she gained recognition through her participation in the 1982 New Museum exhibition "Extended Sensibilities: Homosexual Presence in Contemporary Art."
Her early work, associated with the "Post-Imagist" movement, featured erotic drawings of women and apocalyptic large-scale paintings. Cooling's art evolved in the 1990s to include vibrant depictions of female bodybuilders, showcased in exhibitions like the New Museum's "Picturing the Modern Amazon'' in 2000. She taught at San Diego State University from 1984 until 2013, influencing many through her dedication to feminist and LGBTQ+ visibility in art. Cooling's work is celebrated in key feminist and lesbian art publications, cementing her legacy as a transformative figure in contemporary art.
ArtBridge is actively transforming NYC’s 300+ miles of construction fencing into large-scale art exhibitions. Their installations don’t merely beautify — they uplift local communities, often by partnering artists with community stakeholders to create neighborhood-specific public artworks. In a city that never stops rebuilding, ArtBridge converts building sites and disused urban spaces into cultural assets, giving artists an unprecedented platform to show their work, informed by the communities they serve.
