Estimate: $200 - $400
Price Realized: $281 Includes buyer's premium
illustrations for:
Dior's 'Palais de Glace' dress c.1957
Madame Grès plaid coat and hat ensemble c. 1965
Rudi Gernreich 'Future Fashion' ensemble c.1968
graphite and ink on paper
largest: 13 x 10 1/2 inches
From the Estate of Joe Eula
each sheet has general toning, one has apparent mat burn, 1 inch tear and area of paper loss on the bottom left corner, each have light creasing
If you are interested in bidding, please contact us to request more photos, or make an appointment for in-person inspection. To ensure prompt assistance, we recommend reaching out at least 24 hours before the auction by calling 212-353-2277 or emailing us at admin@capsuleauctions.com.
Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
unframed
Andy Warhol once called Joe Eula “the most important person in New York.” While the fashion illustrator certainly boasted impressive social laurels, it was his work that earned him such an enduring and impressive reputation. Educated at the Art Students League of New York, Eula made his entrance into the world of fashion by illustrating Eugenia Sheppard’s syndicated column, Inside Fashion, for The New York Herald Tribune. The artist soon became a titan of the industry, publishing his drawings in The New York Times, American Vogue, and Italian Harper’s Bazaar regularly. One of Eula’s most important relationships was with Yves Saint Laurent himself: the artist famously covered the designer’s first show in 1958 and his last in 2002.
