Estimate: $200 - $400
Price Realized: $416 Includes buyer's premium
If you are interested in bidding, please contact us to request more photos, or make an appointment for in-person inspection. To ensure prompt assistance, we recommend reaching out at least 24 hours before the auction by calling 212-353-2277 or emailing us at admin@capsuleauctions.com.
Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
Patricia Scipio-Brim (1947–2023) was born and raised in Trinidad and Tobago before immigrating to New York in the 1970s. After earning her law degree from New York University School of Law, she embarked on a distinguished legal career in corporate law, practicing at prominent firms including Cadwalader, Wickersham & Taft, Paul, Weiss, Rifkind, Wharton & Garrison, and Carter Ledyard & Milburn. She later transitioned from private practice to public service, joining the New York City Department of Finance, where she served as a Supervising Administrative Law Judge.
A passionate advocate for the arts, Patricia was first introduced to New York's art scene in the 1980s through a neighbor, the daughter of a prominent artist.. She went on to become a dedicated collector and supporter of African American artists and artists of the African diaspora. Over the years, she cultivated close relationships with influential galleries including Dorsey's Art Gallery, Kenkeleba Gallery, Stella Jones Gallery, Peg Alston Fine Arts, and Spiral Gallery. She was also a devoted patron of the Studio Museum in Harlem and the Schomburg Center for Research in Black Culture, institutions whose missions reflected her deep commitment to preserving and celebrating Black art, culture, and history.
