Estimate: $400 - $600
Price Realized: $125 Includes buyer's premium
lot includes: Unknown Artist, Untitled (Figures in Boat), 1989, initialed verso N. Paviglianiti, Untitled (Abstract Form),signed verso A. Miralles, Ritmos Del Mar, 1985 Unknown Artist, Lluvia Negra, ash, sand and paint on panel, 2017, signed indistinctly verso
mixed media
largest: 10 x 10 x 2 inches
The Graciela Kartofel Collection
overall good condition, with some minor losses to each painting
If you are interested in bidding, please contact us to request more photos, or make an appointment for in-person inspection. To ensure prompt assistance, we recommend reaching out at least 24 hours before the auction by calling 212-353-2277 or emailing us at admin@capsuleauctions.com.
Condition reports are based on visual inspection by the Capsule team under typical office lighting. Unless otherwise noted, items are not examined under UV light in advance of sale. We do not guarantee the content of written or verbal condition reports. Remember, all lots are previously owned and all sales are final. The absence of a condition report does not imply that there are no condition issues with the lot.
Art has not been examined out of the frame unless otherwise stated. Frames, lampshades, or items described as “supplementary” are not considered integral to the value of the lot and are excluded from condition assessments. This includes any mat, mounting, glazing, hanging apparatus, case, box, or stand. Timepiece movements, lighting elements and items with mechanical or electrical components have not been thoroughly tested and are not covered under warranty by Capsule.
Art historian, curator, and writer Graciela Kartofel spent her decades-long career studying Latin American contemporary artists, a deep passion that shone through her personal collecting. Dr. Kartofel is the author of over 50 books and has collaborated with many prominent institutions such as the National Library of France, the Library at MoMA, and the Library of Congress to integrate Mexican publications into their collections. At a time when the art market largely ignored Latin American artists, Kartofel championed their work, particularly that of young emerging artists.
